Place
- Local public perception as to importance of art / creative provision / experience.
- Competitive nature of bidding / fundraising, competing against one another.
- Business support and training.
- Visitor expectations of what Moray offers.
- Lots going on but no real shared sense of collective.
- Physical problems – transport.
- Tourism – expectations of visitors to Moray looking to experience beyond established provision.
- Moray Waste Busters programme to encourage creative potential in ways of working.
- Glasgow School of Art potential Altyre campus – commitment to area.
- Course potential – UHI provision.
- Creative conduit – collective sense of purpose, communication between creative groups / individuals, stakeholders.
- Creative learning – 37% of young people want to be involved in arts industries.
- A co-ordinated model with a multi-functioning team.